Ryan Murphy, Hollywood’s self-proclaimed master of excess, has delivered one of the most misguided productions Disney+ has ever presented to its subscribers.
Whatever else may be said about Kim Kardashian, she has never followed the predictable path. Back in 2014, following her wedding to Kanye West at the Forte di Belvedere in Florence, the couple famously flew to Cork for their honeymoon. Their itinerary included a stay in Castlemartyr and a trip to Portlaoise to attend a 3 p.m. screening of X-Men: Days of Future Past at the local Storm Cinema. That spontaneous detour to the Irish Midlands perfectly reflected her unpredictable spirit.
Now long divorced from Kanye, Kardashian continues to live by her own rules, seemingly unmoved by public judgment. That confidence might help her in life, but it cannot rescue her latest TV venture.
All’s Fair is nothing short of a disaster in storytelling and tone, a show that stands among the worst offerings on Disney+. Even fans with long patience for the streamer’s more eccentric projects, such as She-Hulk, may find this one difficult to endure.
"Her new legal drama, All’s Fair, is a proper atrocity exhibition and one of the worst things Disney+ has ever foisted upon its subscribers."
Despite its flaws, the series boasts a surprisingly luminous cast. Naomi Watts, still as graceful as ever, appears perplexed by the script, recalling the bewilderment she once portrayed alongside a giant CGI gorilla in King Kong. Glenn Close, too, seems on the verge of disbelief throughout her scenes, as if questioning her very participation.
One cannot fault Kardashian for ambition, but ambition without substance has rarely looked so awkward on screen.
Ryan Murphy’s All’s Fair turns star talent into collateral in a tone-deaf legal drama, highlighting how even bright names can’t rescue lifeless writing and confused direction.
Author’s summary: A stylish disaster from Ryan Murphy, where Kim Kardashian’s boldness meets hollow storytelling, proving that starlight alone cannot save a broken concept.